Three months ago, my editor introduced me to East Hundred’s first full-length, the charismatic breakup soundtrack Passenger, and since then I’ve looped it on repeat every time I’m in the office. At this point, he probably wants to lock me in the mailroom. [Actually, that’s because I want you to do the mail. —ed.] One of the better emerging Philly bands (read MAGNET’s recent profile of the group), East Hundred doesn’t quite square with a local indie-rock taxonomy that includes Dr. Dog, Man Man and the War On Drugs. The quintet branches off with its own brand of catchy, keyboard-laced alternative pop/rock. On Friday night, they played a gig with Seattle products Say Hi and Telekinesis at Philly hipster HQ Johnny Brenda’s.
Unfortunately, even the venue’s superior acoustics couldn’t save East Hundred when a guitar amp went kaput in the middle of the set. After a few minutes of confusion (the audience promptly used the unexpected intermission to grab beers and check iPhones), the group managed to punch out a few more songs before time ran out. What I saw, however, in East Hundred’s salvaged performance stirred my latent childhood dream of singing in a band; it’s similar to how I felt about Gwen Stefani in the late ’90s, before she tried to rap. Diminutive vocalist Beril Guceri exuded an outsized stage presence punctuated by her sweet, wistful vocals.
“It gets very hot up there when something like that happens,” said Guceri after the show, referring to the STD (Supreme Technical Difficulty). Considering the singer’s history of stage fright, she and her bandmates kept their cool as they ironed out the glitch.
“Slow Burning Crimes” (download):