Best Of 2017: Q&A With Waxahatchee’s Katie Crutchfield

We caught up with Waxahatchee’s Katie Crutchfield in her hometown of Birmingham, Ala., during some downtime between tour legs for Out In The Storm. Here’s what she had to say about the making of MAGNET’s album of the year.

It’s no secret that Out In The Storm is about weathering a rocky relationship. And yet there’s not a lot of weakness and self-pity expressed in these songs.
I had the urge to write fresh off the breakup, but every time I sat down to do it, I had to stop myself. It was too earnest, too over-the-top. I needed to wait. By the time I actually sat down to write the songs on the record, the relationship I’m describing had been over for a year and a half. I was right at the end of processing it.

And the album is sequenced that way, especially with “Fade” as the last track.
I actually wanted to put that at the beginning of the album, and (producer) John (Agnello) was like, “No, it doesn’t belong there.” And he was right. I kind of look at the record like a long breakup conversation, and “Fade” is that last breath.

You definitely hear anger on this album, but there’s also a sense of empowerment and even hope.
The relationship I’m describing on the album is something that a lot of people have been through, where there’s this uneven power dynamic. The record was a response to really feeling like I didn’t have a voice in the relationship. So I’m saying all the things I felt like I really didn’t get to say in the moment. I wanted that combative energy to be a force to be reckoned with. I wanted it to sound strong.

What was it like working with producer John Agnello?
He’s really nurturing in the studio. Some artists like to be verbally abused [laughs], and some artists need to be coddled. I definitely fall into the latter category. He knew when to push me, and when to retreat and let me win the battle. Every song has its own atmosphere, and that’s kind of a new thing for me. There’s less space on this record. Daniel Shea, who did the artwork on the record, described it as claustrophobic, and he meant it as a compliment.

So you’re getting ready to relocate.
I’ve lived in Philly for about six years now, and I’m in the process of moving back home to Alabama, buying a house and settling here. I’ve had a lot of ups and downs with my relationships in Philly; my closest person there was my sister, Allison, and she moved to L.A. I really had to do some self-reflection and ask myself where I really wanted to be. Birmingham just feels like the place. For years, I’ve really missed the South. It feels like home.

—Hobart Rowland; photo by Gene Smirnov