Category: ESSENTIAL NEW MUSIC
Essential New Music: David Bowie’s “Five Years 1969-1973”
Thursday, July 6, 1972. Britain’s youth tune in to the BBC’s Top Of The Pops. They are confronted by a
Essential New Music: Glenn Mercer’s “Incidental Hum”
Three years ago, Feelies guitarist Glenn Mercer had the idea to create atmospheric accompaniments to the pictures in his mind,
Essential New Music: The Icarus Line’s “All Things Under Heaven”
Since arriving some 13 years back, the diseased minds within California’s Icarus Line never intended to be your pals. They
Essential New Music: Jawbox’s “Jawbox”
Now that we’re in the era of car-commercial “indie” rock, it’s quaint to think back on a time when calling
Essential New Music: Battles’ “La Di Da Di”
When Animal Collective gets the “post-Y2K Phish” tag, it’s more in reference to the group’s position as the house band
Essential New Music: Silversun Pickups’ “Better Nature”
Why Better Nature is billed as Silversun Pickups’ “most human music thus far” is something of a mystery. The slinky, dreamy Los
Essential New Music: Lucero’s “All A Man Should Do”
The biggest stumbling block for a band like Lucero—which has sculpted and defined its own sound after what seems like
Essential New Music: Whitney Rose’s “Heartbreaker Of The Year”
Whitney Rose’s voice sounds like it’s coming out of a time machine in RCA’s Studio B in Nashville, circa 1960.
Essential New Music: Telekinesis’ “Ad Infinitum”
Michael Benjamin Lerner has reached a career point where other artists might start to settle into their carved-out sound. Instead
Essential New Music: Veruca Salt’s “Ghost Notes”
Quick recap: Hell finally froze over, and someone convinced Louise Post and Nina Gordon to start talking and writing together
Essential New Music: Royal Trux’s “Hand Of Glory”
These are halcyon days, kiddos! While most of the world seems to be falling apart at the seams, ready to
Essential New Music: Pere Ubu’s “Elitism For The People: 1975-1978”
The target audience for Elitism For The People, Pere Ubu’s vinyl archival boxed set of studio and live work from
Essential New Music: Glen Hansard’s “Didn’t He Ramble”
There are those who would contend that all of Glen Hansard’s musical accomplishments have been cut and tailored from the
Essential New Music: The Libertines’ “Anthems For Doomed Youth”
Since 2002’s Up The Bracket (and you can include Babyshambles if you want to reach further backward), audiences have been