Charlotte Gainsbourg impressively directed her new video for “Sylvia Says,” off last year’s Rest (Because Music); read our feature below. The clip begins by showing the everyday commute of workers after their nine-to-five jobs, but it quickly turns into an interpretation of what we cannot see, the subconscious of those walking next to us on that daily travel. The slow-motion mixed with high-speed shots creates a video you can’t look away from. Check it out now.
Kamasi Washington has a new video for “Street Fighter Mas,” off sophomore studio album Heaven And Earth (Young Turks). The theme for the A.G. Rojas-directed clip is inspired by the video game Street Fighter, which Washington loves to play. The sax player extraordinaire kicks off a European tour tomorrow in Ireland, so get your jazz-loving self in the mood by checking out the video for “Street Fighter Mas” now.
Cincinnati’s Plastic Ants (featuring Afghan Whigs bassist John Curley) have paid and played tribute to the late Tom Petty by recording a cover of “Walls” (one of a handful of gems off the underrated She’s The One soundtrack). After the song came the video, an 8-bit video-game representation of the lyrics, providing a cool and unique way to play out the song’s story line. Check out the clip now, and read frontman Robert Cherry’s cool account of the recording of “Walls.”
The kaleidoscopic montage video for the Love Language’s “New Amsterdam” brings light and happiness to your typical breakup song. The clip was constructed entirely from phone videos run through a series of filters by mainman Stuart McLamb. Watch “New Amsterdam” now, and catch the Love Language touring the East Coast in August supporting Baby Grand (Merge, August 3).
In music, as in life, being quirky tends to elicit very mixed reactions. For every good “freaky” band (we’re thinking Ween, Flaming Lips and They Might Be Giants—all masters of their respective crafts), there are a number of “screwy” ones that just fall flat (sorry Soul Coughing, Barenaked Ladies and Cake). So when you find out a group takes its moniker from a Frank Zappa quote and has a song named after a now-ubiquitous pear-shaped fruit, you really start to curb your enthusiasm. But in the case of Charlotte, N.C., trio the Eyebrows, there’s no need to worry: Being quirky suits them well, because there’s a lot more going on in their music that just shits and giggles.
Rising from the ashes of a number of Tar Heel State bands that almost could (including Poprocket and Temperance League), the Eyebrows are set to self-release their debut album on August 31. The 10-track Volume was produced by North Carolina legend Mitch Easter (R.E.M., Pavement, Helium), and it displays a pretty comprehensive knowledge of the indie/college/whatever rock that’s come before it. “Avocado” is one of the standouts, and it finally answers the age-old question about what it would it sound like if the Pixies and King Missile (kids, ask your great-grandparents) jammed in the B-52s’ garage.
“I remember when we were mixing this song, as Mitch Easter, (drummer) Shawn Lynch and I were having a grand time,” says frontman Jay Garrigan of “Avocado.” “It was near the end of the mixing day, and we were celebrating our hard work with some fine Scotch. Plus, I like to think we’re all pals, as we enjoy each other’s company. I asked Mitch to make the ‘guac’—i.e. guacamole—lyric sound like something Lux Interior from the Cramps would do, and Mitch had a moment. He stopped mixing for a minute, put his hands over his face, and with a lot of space and separation he said, ‘This … song … is … so fucking stupid.’ We all laughed for a good five minutes.”
Well, even if Mr. Mitch Easter says it’s fucking stupid, “Avocado” still rocks. And we’re proud to premiere the Tyler Baum-directed video for it today at magnetmagazine.com. Grab some toast, millennials, and watch it now.
It’s hard not to think of Tulipomania as one of those 4AD bands you somehow missed back in the mid-’80s heyday of the influential British indie label. Sonically, the Philly band’s ever-evolving brand of dark, cinematic post-punk would’ve felt right at home alongside the likes of This Mortal Coil, Cocteau Twins and Dead Can Dance. Visually, it’s an even more perfect match, as the incredibly art-conscious duo of vocalist/bassist/drummer Tom Murray and keyboardist/vocalist Cheryl Gelover (both visual artists) have utilized legendary 4AD graphic designer Vaughan Oliver for album packaging.
This purposeful intersection of music and visual art has always made Tulipomania videos stand out among those of their peers, many of whom take the friend-with-an-iPhone approach to videos rather than treat them like actual art. Murray and Gelover don’t disappoint with their latest clip for “Off The Map.” The song—which features Mitch Smith on guitar and was mixed by Mark Plati (Cure, New Order, Lou Reed)—is from a new double-a-side single with “On The Outside (Spinello Remix),” out now via Sursumcorda. As for the video, let’s just say it’s so good that it was selected for inclusion by a film festival (Aesthetica Short Film Festival) before it was even released. Not surprising given Tulipomania has had various works exhibited in film fests around the globe.
The collage-animation process for the “Off The Map” video was quite intensive for Murray and Gelover, who alternated fragmented self-portraits with imagery they pieced together, frame by frame, from thousands of individual sheets of paper. The result is a stunning visual that reinforces the contradictory nature of the song’s lyrics.
We’re proud to premiere the video for “Off The Map” today on magnetmagazine.com. Watch it now.
A lot of albums are termed cult classics, but the latest from Jon Bryant is the genuine article. The upcoming third (and first for Nettwerk) LP from the Halifax-born/Vancouver-based singer/songwriter/multi-instrumentalist is called Cult Classic, and it is just that—though not for the reasons you might think. You see, three years ago, having relocated from Seattle to Vancouver, Bryant, through the urging of a close friend, joined a cult. At first Bryant liked feeling connected to new people, but after learning about some of the shadiness the group was involved in, he left and turned his newfound fascination with cults into a concept for his next album.
Cult Classic kicks off with “Paradise,” a soft-rock gem you’d swear came out of Southern California in the mid-’70s. For the album opener’s video, Bryant teamed up with Kasey Lum (a director he shares studio space with), who came up with the concept for the clip.
“I’ve always loved his visual style and approach to the projects he works on,” says Bryant of Lum. “He really understood the vision I had for the song and what it means to me. For me, paradise is experienced when I’m out of my head. When I’m seeing the best in the people around me. When I’m seeing people for who they are and not who I judge them as. When I’m making the most of every moment with the people I love. Getting out of our heads let’s us do that. I think the video really reflects how important it is to know when we are becoming too self involved/obsessed.”
We’re proud to premiere the video for “Paradise” today on magnetmagazine.com. Watch it now.
Detroit Rebellion just released a video for “Black,” a track from sophomore album See You Next Year, out August 24 on Bodan Kuma. Jeff Toste, the frontman of the Providence, R.I., garage/blues duo, says the song “is all about getting screwed and the nature of evil.” Given the track’s subject matter, the video—directed by Toste—is the perfect fit. Watch it now.
Neil & Liam Finn just released a new video for “Back To Life.” The clip casts many of the father-and-son team’s close friends and was shot in L.A. by New Zealand-based director Kristofski. “Back To Life” is the first single off Lightsleeper (which features Neil’s wife/Liam’s mother Sharon, Neil’s son/Liam’s brother Elroy, as well as Mick Fleetwood and Tchad Blake), out August 24 via Inertia/PIAS. Watch the Greek-mythology inspired video for “Back To Life” now.
The video for Deerhoof’s “Ay That’s Me” leaves us mesmerized. The cool and creative visual that accompanies the song—off Mountain Moves (Joyful Noise)—consists of line drawings that were colored in by many, many people. The BrainTwins crew—which directed and animated the clip—opened up a coloring party to the public to take part in. The collaborative effort resulted in a beautiful and bright video that perfectly represents the track. Watch it all go down here.