MAGNET Exclusive: Premiere Of Jeanne Vomit-Terror’s “Tiger Training” Video

Back in July, we premiered “Jokes Come True” off Jeanne Vomit-Terror’s debut LP, Empire Waste (Desperate Spirits). Now we’re the first to bring you the video for the album’s second track, “Tiger Training.” Like all things Vomit-Terror, it’s usually best to have the chanteuse explain what’s going on, first about the song itself:

“‘Tiger Training’ uses sound as a synecdoche for its own lyrical conceit, Pynchon’s corruption of the trans-marginal inhibition state known as the ultra-paradoxical phase where, irrespective of Pavlov, he holds that responses come to precede stimuli: the lurching triplet bass line de-locates the ‘one’ and the exponential layering of patterns throughout seeks to disrupt the shut-down process common to organisms when overwhelmed by sensory information, liberating the listener to re-inhabit her primal state.”

Lucky we asked, as we thought the track was about Siegfried & Roy. But obviously Vomit-Terror’s explanation makes far more sense. Which brings us to the video for “Tiger Training.” Back to you, Jeanne:

“The film is of a lovely little parlor game in which iconoclast-cinéaste Danny Coy, my electrostatic dance troupe the Illuminatrices, the famous puppeteer of light Robert Beatty, my dear compatriot Lux Elite and—naturally—me, Jeanne, sought, via our respective avocations, to unyoke stimulus from response and permit pleasure to flower into its own reward.”

Lucky for you, dear MAGNET reader, you’re also invited to partake of this reward as well. And not only by watching the clip for “Tiger Training,” but also by catching Vomit-Terror live on New Year’s Eve at the Green Lantern Bar in Lexington, Ky., with Long Jumper, PezHed and the aforementioned Beatty (DJing). Trust us, you will be lost in luxury.

MAGNET Exclusive: Premiere Of The Flesh Eaters’ “My Life To Live” Video

It’s been 40 long years since the release of the Flesh Eaters‘ self-titled debut EP and 14 years since their last album. But on January 18, Chris D. and his supergroup backing band—guitarist Dave Alvin and drummer Bill Bateman (both Blasters), bassist John Doe and percussionist D.J. Bonebrake (both X) and saxophonist Steve Berlin (Los Lobos)—will release new album I Used To Be Pretty via Yep Roc. Not only did all the participants co-produce the LP, all of them will be touring together in support of the album. (If you’re up on your L.A. punk history—and of a certain age—you’ll no doubt notice this version of the Flesh Eaters is the same exact one that recorded the band’s 1981 masterpiece, A Minute To Pray, A Second To Die.)

But back to the future—and the past as well. The Flesh Eaters just made a video for I Used To Be Pretty track “My Life To Live.” If longtime fans think that song title sounds extremely familiar, they obviously have some brain cells still working after all these years. We’ll turn it over to Chris D. to explain.

“I originally wrote ‘My Life To Live’ back in 1982, that version appearing on the third Flesh Eaters album, Forever Came Today,” he says. “It’s a love song, but it’s coming from a fierce place, full of contradictions. I wrote the lyrics about someone I was deeply in love with then and for several years thereafter. She would come to every Flesh Eaters show and even now is still a fan and a friend. At the time, she had another boyfriend, but there was a window of time where she seemed poised to get together with me. I got conflicting signals and behavior from her about the situation. Most of her girlfriends saw me as the dark, intellectual weirdo and the other guy as a more agreeable, normal choice. So it was a frustrating situation for about six months or so, before she gravitated back to him exclusively. When you’re in your late 20s/early 30s, I think some of us have a more straightforward, direct approach to going after who we want as a mate, ignoring certain perspectives on personality and relationship ‘wisdom’ acquired from experience that we might solidify later. The video is aimed at a younger generation, but it still gets that feeling across of holding on uncompromisingly to an ideal or a dream, no matter what the cost. Sometimes—like at the end of the video when an older embodiment of the character has to let go of his beloved truck—we don’t always have a choice, and dreams are destroyed by forces beyond our control. This whole idea also fits in the with the I Used To Be Pretty album title, aging physically, but still emotionally in a ‘younger,’ more idealistic place.”

Well, there you have it, kids of all ages. No matter how old or young you are, it’s your life to live. So act accordingly.

We’re proud to premiere the video for “My Life To Live” today on magnetmagazine.com. Check it out now, pre-order I Used To Be Pretty, and catch this twice-in-a-lifetime lineup of the Flesh Eaters on tour starting in January.

Film At 11: Patrick Watson

Patrick Watson’s self-directed video for latest single “Melody Noir” (Domino) looks like a dream. The song was inspired by the music of Simon Diaz, a Venezuelan artist. What came out of this inspiration was a new kind of love song, one “dedicated to the hole inside you,” says Watson. The clip was shot in Montreal and is heavily focused on dancing and the meaning behind the song. Watch the video for “Melody Noir” now, and look out for Watson on tour in November, December and January.