Charlotte Gainsbourg impressively directed her new video for “Sylvia Says,” off last year’s Rest (Because Music); read our feature below. The clip begins by showing the everyday commute of workers after their nine-to-five jobs, but it quickly turns into an interpretation of what we cannot see, the subconscious of those walking next to us on that daily travel. The slow-motion mixed with high-speed shots creates a video you can’t look away from. Check it out now.
Kamasi Washington has a new video for “Street Fighter Mas,” off sophomore studio album Heaven And Earth (Young Turks). The theme for the A.G. Rojas-directed clip is inspired by the video game Street Fighter, which Washington loves to play. The sax player extraordinaire kicks off a European tour tomorrow in Ireland, so get your jazz-loving self in the mood by checking out the video for “Street Fighter Mas” now.
Cincinnati’s Plastic Ants (featuring Afghan Whigs bassist John Curley) have paid and played tribute to the late Tom Petty by recording a cover of “Walls” (one of a handful of gems off the underrated She’s The One soundtrack). After the song came the video, an 8-bit video-game representation of the lyrics, providing a cool and unique way to play out the song’s story line. Check out the clip now, and read frontman Robert Cherry’s cool account of the recording of “Walls.”
The kaleidoscopic montage video for the Love Language’s “New Amsterdam” brings light and happiness to your typical breakup song. The clip was constructed entirely from phone videos run through a series of filters by mainman Stuart McLamb. Watch “New Amsterdam” now, and catch the Love Language touring the East Coast in August supporting Baby Grand (Merge, August 3).
In music, as in life, being quirky tends to elicit very mixed reactions. For every good “freaky” band (we’re thinking Ween, Flaming Lips and They Might Be Giants—all masters of their respective crafts), there are a number of “screwy” ones that just fall flat (sorry Soul Coughing, Barenaked Ladies and Cake). So when you find out a group takes its moniker from a Frank Zappa quote and has a song named after a now-ubiquitous pear-shaped fruit, you really start to curb your enthusiasm. But in the case of Charlotte, N.C., trio the Eyebrows, there’s no need to worry: Being quirky suits them well, because there’s a lot more going on in their music that just shits and giggles.
Rising from the ashes of a number of Tar Heel State bands that almost could (including Poprocket and Temperance League), the Eyebrows are set to self-release their debut album on August 31. The 10-track Volume was produced by North Carolina legend Mitch Easter (R.E.M., Pavement, Helium), and it displays a pretty comprehensive knowledge of the indie/college/whatever rock that’s come before it. “Avocado” is one of the standouts, and it finally answers the age-old question about what it would it sound like if the Pixies and King Missile (kids, ask your great-grandparents) jammed in the B-52s’ garage.
“I remember when we were mixing this song, as Mitch Easter, (drummer) Shawn Lynch and I were having a grand time,” says frontman Jay Garrigan of “Avocado.” “It was near the end of the mixing day, and we were celebrating our hard work with some fine Scotch. Plus, I like to think we’re all pals, as we enjoy each other’s company. I asked Mitch to make the ‘guac’—i.e. guacamole—lyric sound like something Lux Interior from the Cramps would do, and Mitch had a moment. He stopped mixing for a minute, put his hands over his face, and with a lot of space and separation he said, ‘This … song … is … so fucking stupid.’ We all laughed for a good five minutes.”
Well, even if Mr. Mitch Easter says it’s fucking stupid, “Avocado” still rocks. And we’re proud to premiere the Tyler Baum-directed video for it today at magnetmagazine.com. Grab some toast, millennials, and watch it now.