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Queens Is Alive: Morrissey And Interpol Both Charm In Forest Hills

Morrissey played the second night of his current tour in support of ’60s/’70s covers album California Son (Étienne/BMG) at Forest Hills Stadium. While the evening’s setlist did include a handful of covers as well as two Smiths songs, the 60-year-old Moz concentrated on his solo work spanning the past three decades. Interpol opened with a set also drawing from its entire career. MAGNET photographer Wes Orshoski threw his arms around Queens.

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MAGNET Exclusive: Premiere Of Chris Knight’s “The Damn Truth” Video

Ask Chris Knight why it took him seven years to come back to making music, and he’ll tell you he never left. “I’ve been touring more than ever over the last seven years,” says Knight from somewhere on the road, his Kentucky drawl as lumpy and thick as paving tarmac. 

Knight isn’t one to waste words. It’s what makes interviews with him somewhat one-sided and gives his 25-year catalog that rugged aura of plainspoken authenticity. His ninth album, Almost Daylight (Drifter’s Church Productions), is due out October 11. Recorded by longtime collaborator Ray Kennedy (Steve Earle), it’s Knight at his most pointed and personal. Tracks like “I’m William Callahan,” “Trouble Up Ahead” and “Flesh And Blood” examine life’s virtues and vices with an easy elegance that most often recalls John Prine—who actually joins Knight on final track “Mexican Home.” 

When things occasionally turn more issue-oriented, Knight adds an exclamation point to the sort of universal gripes we should all have an opinion about. Which brings us to “The Damn Truth” and MAGNET’s premiere of its companion video. “We finished that song the night before we recorded it,” says Knight. “I was just listening to all the bullshit on the TV … Everybody’s got an opinion. The truth is the truth, and you’ve got to know it when you see it. Maybe we’ll find out what it really is at some point.”

As straightforward as the song itself, the video for “The Damn Truth” delivers its message with some measure of power—mostly from the small screen of a tiny old black-and-white TV. “I made three or four full-blown videos back when I was 20 years younger,” says Knight. “It was a little easier then. We didn’t have a lot of time for this one. We just took a bunch of footage, and [Nathaniel Maddux] put it together. A lot of it was shot at my house, out around the woods.”

Knight and his wife have been living on the same 115 acres in rural Kentucky for more than 20 years, raising their three kids there. “It keeps growing trees and kids and weeds and birddogs and horses,” he says. “I always have plenty to do when I get home, just tryin’ to keep the woods beat back from my house. But that’s the way I like it. Everything is right where I want it to be.”

—Hobart Rowland