Leave it to a musicologist to assemble this year’s stylistic Frankenstein: The Decemberists’ bookish leader Colin Meloy has long pledged his fealty to the ‘60s British folk revival, having recorded a tour-only EP consisting of nothing but Shirley Collins obscurities; a few previous releases (2006’s rock opera The Crane Wife; 2004’s The Tain EP, a … Continue reading A Conversation With The Decemberists’ Colin Meloy