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PUT UP YOUR DUKES

Put Up Your Dukes: Anthony Bourdain

bourdain538Two of MAGNET’s Matts—editor Matthew Fritch and writer Matt Ryan—go to the mat to see whose opinion is more correct. Today’s topic: Anthony Bourdain. Put up your dukes!

From: Matthew Fritch
To: Matt Ryan
Let’s talk about Anthony Bourdain. I know you like his food/travel show No Reservations. Well, I got reservations (cue Wilco song). About so many things. I’ll commence tearing down Bourdain’s TV show and his carefully constructed persona shortly, but first I have to get this out in the open: When it comes to celebrity chefs, I’m with WFMU’s Tom Scharpling, who simply said, “Cook my food.” While it certainly requires skill and creativity to be a chef, I don’t need the spectacle of celebrity to enhance my dining experience. With music and film, give me spectacle. When it comes to the person who makes the meal that I’m going to shit out a few hours later … cook my food.

Categories
GUEST EDITOR

Ken Stringfellow’s Foreign Correspondence: Blood And Guts Eating

kstringfellow1110fYou probably know Ken Stringfellow as the co-leader of Northwestern power-pop all-timers the Posies or as a sideman for R.E.M. or latter-day Big Star. He’s also a solo artist (we’re particularly fond of the soft-rock American beauty that is 2001’s Touched) and is currently preparing the debut by his Norwegian garage-rock band, the DiSCiPLiNES. Each day this week, magnetmagazine.com guest editor Stringfellow will be filing reports from his home on the European continent.

pigshead4701I have always been the adventurous type, looking for the exotic, the succulent, the challenge of the bizarre, especially in food. This led to such things as eating enormous (almost) cockroaches—deep fried but not all the way through—in Thailand and a hapless snail about the size of my fist—pulled off the wall of the tank, sliced and served, still writhing in pieces—in Japan. I’m always pleased to find a taqueria off the beaten path with new bits in to add to the mix. And in France, I have truly found my home.

The French are like snobby eskimos; not only do they have no problem wearing fur, but they also make sure not one cubic centimeter of any animal is wasted. Everything is up for grabs. In September, the shotguns ring out in the countryside and, it should be noted, the stray cats all disappear. Not just game animals are harvested. Everywhere you go, someone is raking the beach for clams; bashing tiny oysters open directly on the rocks with a hammer, squirting in lemon and scooping them up with their fingers; following a snuffling beagle searching for truffles; bringing incredible varieties of mushrooms into the local pharmacy for identification. The French are still hunter-gatherers. My mother-in-law seems to gather plastic grocery sacks. You never know.

Since living here, I’ve discovered:
Boudin noir: blood sausage, not crackled and fried like British pudding or Spanish morcilla; this is soft and cool and deep crimson, not black.
Oreille, groin, pied de cochon: the ear, snout and foot of pig, respectively; they are essentially cured like bacon, and the ear has a crunchy cartilage center and (often) hairs sticking out of it.
Salade de gesiers: Yep, salad with chicken/duck gizzards on top.

Of course I knew about tripe, but recently I had it on couscous, at a place next door the Élysée Montmartre, before going in to see video-game-metal experts Dragonforce. I’m also fond of rognon (kidneys), ris de veau (sweetbreads, which are not the brain, as I grew up thinking, but actually thymus and pancreas of veal) and boiled cow tongue (a winter favorite).

I’ve yet to try:
Sanguette: essentially an omelet made with chicken or duck blood instead of egg. I haven’t found a restaurant serving it, but trust me, somewhere, one exists.
Miot/millot/mieau: I don’t even know how to spell it, but my mother-in-law’s boyfriend will occasionally start the day with this French breakfast that seems devised by Homer Simpson, the master of cutting to the chase. You place in a bowl the following: stale bread, cubed; two or three glasses of yesterday’s expired red wine; two to four tablespoons of sugar. You stir a bit and eat with a spoon like Special K. Like, every wrong thing, right? And the guy is 80 and can take a full-force karate kick to the gut from my daughter and laugh about it.

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LOST CLASSICS

Lost Classics: Pre-New Pornographers Carl Newman

They’re nobody’s buzz bands anymore. But since 1993, MAGNET has discovered and documented more great music than memory will allow. The groups may have broken up or the albums may be out of print, but this time, history is written by the losers. Here are some of the finest albums that time forgot but we remembered in issue #75, plus all-new additions to our list of Lost Classics.

zumpano548b

As the New Pornographers’ critically acclaimed catalog makes obvious, Carl Newman is a sucker for ’60s AM-radio pop and ’70s FM-radio pomp. And he always has been—except that a little more than a decade ago, he segregated these twin affinities to vastly different bands. He first arrived as the singer and one of six guitarists for Superconductor, a messy amalgamation of Vancouver scenesters who released two albums of prog-metal mayhem that were endorsed by Robert Pollard and pretty much no one else. (Superconductor was nonetheless prescient in its anticipation of the now de rigeur Canadian indie-collective template.) With his concurrent other band, Zumpano (pictured), Newman stepped out from behind Superconductor’s thundercloud of noise and laid bare his fondness for the Beatles/Bacharach songbooks, a move that was so antithetical to prevailing lo-fi aesthetics that Zumpano was initially characterized as a latecomer to the dying lounge-core party.

:: ZUMPANO
Look What The Rookie Did // Sub Pop, 1995

If this sounds like a retro artifact, it’s only because its best songs (“The Party Rages On,” “Temptation Summary,” “I Dig You”) were on par with the Brill Building breezy-listening pop that inspired them, possessing the sort of pristine, heartfelt, melancholy melodies that were all but banished from the airwaves by 1995. To paraphrase one of the group’s heroes, Zumpano just wasn’t made for its time, but the superior songcraft on Look What The Rookie Did drew a direct line to Newman’s future as a New Pornographer. (Well, that and the fact the album title came from a gay skin flick.)

Catching Up: Zumpano’s second album, 1996’s Goin’ Thru Changes, would be its last. Anyone who’s read MAGNET in the past 10 years knows where Newman went next. However, let’s not forget the man who gave the quartet its name: drummer Jason Zumpano, who plays with Sparrow and Attics And Cellars.

“The Party Rages On”: