There are many people who consider the first two albums by the dB’s—1981’s Stands For Decibels and 1982’s Repercussion—to be just as influential, in their own way, as those revered early Velvet Underground releases from the ’60s. The sway of the LPs from this groundbreaking Winston-Salem outfit over a North Carolina/Georgia-based underground railroad that included … Continue reading Q&A With Peter Holsapple & Chris Stamey