Categories
GUEST EDITOR

Sweet Apple’s John Petkovic Remembers: Undies

sweetapplelogoSweet Apple is more than just a question of Cobra Verde’s John Petkovic and Tim Parnin having some teenage kicks with Dinosaur Jr’s J Mascis and Witch’s Dave Sweetapple. It’s the answer to the heartache, grief and depression that led Petkovic to drive from Cleveland to Vermont, where he rediscovered the healing powers of rock ‘n’ roll with some help from his friends. Love & Desperation (Tee Pee) isn’t a fountain of youth, but it’ll do in a pinch: a combination of stomping ’70s arena-rock riffs, Petkovic’s well-honed T Rex swagger and Mascis’ hard-wired guitar leads servicing lurid tales of sex, drugs and vampires. The members of Sweet Apple will be guest editing magnetmagazine.com all week. Read our Q&A with Petkovic.

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Petkovic: Never has so little revealed so much. Adam and Eve were the first to wear intimates, at least in our depictions of them. So it’s not like they’re the latest trend. And yet people seem afraid to talk about undies. I’ve never understood that; it makes no sense. My first attraction to undies—aesthetically, that is—came with Underoos. They made me want to take my pants off and run around the sprinkler in the backyard. My interest became more sophisticated when I saw the photography of Elmer Batters, who would shoot women in erotic attire posing in the most mundane, suburban settings, like the laundry room or the kitchen, slaving over a hot stove. The idea that you could turn the mundane into a romp was inspirational. It also made me wonder why are undies so taboo. It’s so absurd, which I discovered first-hand when I decided to go to a beach in my undies instead of a bathing suit. Someone I know well-versed in this subject said that I was “into juvenalia.” But what’s the difference between undies and a bathing suit? Really. Another time, I entered a bikini-boxing contest in a bar and stripped down to my undies. (I had to wear a bra to qualify.) It was a rough-and-tumble joint in Cleveland. At first, I thought some of the dudes were gonna kill me when I took my clothes off in front of them. They had baggy-ass wigger jeans that hung so low that you could see most of their boxer shorts. They hurled insults at me when I entered the ring to box a woman. She was half-crazy and totally violent; she wanted to kill me. But by the time the match was over, the dudes who had wanted to beat my ass sought me out to congratulate me, saying they admired that I could get in the ring in my underwear. But I didn’t feel victorious. Or that I had broken down barriers. It was like dancing around the sprinkler as a kid, that’s all. Why repress having fun?

Video after the jump.

Categories
VIDEOS

Film At 11: These New Puritans

If one thing can be said about These New Puritans, it’s that they definitely have an aesthetic. “Attack Music,” like the video for 2007’s “Elvis” (certainly one of that year’s best singles), features compellingly strange bodies, usually shot from the waist up, being, uh, tested. They’re running and being jerked around, but they don’t seem to be dancing. That would imply pleasure. It’s more like invisible forces are compelling them to make these jerky movements, mimicking the gunshot-alluding beat.

http://www.youtube.com/watch?v=suLfDbNHw7c

Categories
GUEST EDITOR

Sweet Apple’s Tim Parnin Remembers: “The Great Lost Kinks Album”

sweetapplelogoSweet Apple is more than just a question of Cobra Verde’s John Petkovic and Tim Parnin having some teenage kicks with Dinosaur Jr’s J Mascis and Witch’s Dave Sweetapple. It’s the answer to the heartache, grief and depression that led Petkovic to drive from Cleveland to Vermont, where he rediscovered the healing powers of rock ‘n’ roll with some help from his friends. Love & Desperation (Tee Pee) isn’t a fountain of youth, but it’ll do in a pinch: a combination of stomping ’70s arena-rock riffs, Petkovic’s well-honed T Rex swagger and Mascis’ hard-wired guitar leads servicing lurid tales of sex, drugs and vampires. The members of Sweet Apple will be guest editing magnetmagazine.com all week. Read our Q&A with Petkovic.

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Parnin: The Great Lost Kinks Album is my favorite Kinks album. It was recorded at the end of the ’60s during the golden Village Green era. It was released without the band’s permission in the early ’70s, then pulled soon after. This unintentional masterpiece plays like a well-conceived album, not the scruffy, fragmented compilation that it is. I find the lyrics and overall tone to be sad, happy, poignant and hysterical all at the same time. I really love misfit anthem “I’m Not Like Everybody Else” and the vulnerable “The Way Love Used To Be.” The Great Lost Kinks Album is a total joy. I listen to it all the time. It’s the Kinks’ best record of the ’70s.

Video after the jump.

Categories
FREE MP3s

MP3 At 3PM: Rooney

rooney6339In anticipation of the June 8 release of Rooney’s third album, Eureka (California Dreaming), download first single “I Don’t Wanna Lose You” below, grab a few (dozen) Coronas, call all of your friends, take off your clothes, and hit the beach. The Los Angeles rockers have done it once again, blending classic pop melodies, dance beats and echoing guitar riffs to create the perfect background to the sandy summer nights of your youth. And not only does the music suit your reckless lifestyle, you believe Robert Schwartzman as he sings with the conviction of a newlywed about the importance of holding on to love, regardless of the difficulties it will inevitably entail.

“I Don’t Wanna Lose You” (download):
https://magnetmagazine.com/audio/IDontWannaLoseYou.mp3

Categories
DAVID LESTER ART

Normal History Vol. 57: The Art Of David Lester

LesterNormalHistoryVol57Every Saturday, we’ll be posting a new illustration by David Lester. The Mecca Normal guitarist is visually documenting people, places and events from his band’s 26-year run, with text by vocalist Jean Smith.

People tell me things. In my job as a fitness technician at Curves—the gym for women who hate gyms—I hear about size of gallstones, flaring bursitis and fallen arches. This week, a lot of information about shoulders. Ripped and torn. Frozen. I think the women assume that because I dance around to Lady Gaga in a hoodie with matching drawstring pants that I know something about damaged rotator cuffs. Not so; my very nice earth-tone bamboo ensembles are from a previous job at an organic clothing store. Here at the gym-for-women-who-hate-gyms, my flashy fitness garb extends the impression that I am some sort of an athlete. I’m not. I’m more of an entrepreneur. I want to start a small home business removing hoods from garments—a much-needed service for those of us who appreciate a waist-length zippered jacket, but are tired of saggy pouches of fabric bunched up around our shoulders—ripped or otherwise.

I was at home preparing to paint number five in the “Discovering Utopia” series when the manager of Curves phoned: “I’m not feeling well. Can you come in and take over the morning shift?” I’m on deadline to finish, package and ship paintings for an upcoming exhibition. I looked at the paintbrush in my left hand and heard myself say, “OK. I’ll come in.” After I hung up, I boldly decided to paint at work—and to make a video of my activities. I packed up paint, brushes, mini DVs, two blank canvases and two recently completed paintings. I strapped all this to the back of my bike and rode the seven minutes to work. My manager looked pretty raunchy; she’d been up late consoling a roommate who’d been dumped by a boyfriend. I believe this process traditionally requires tequila. Or is it rum? I explained, with much enthusiasm, that I would be painting in the gym and that I was keen to have art shows and other cultural events as a way to bring in new members. She indicated that this was fine by massaging her head with both hands and saying, “Whatever.”

The Black Dot Museum: Political Artists From Vancouver runs for the month of May at Northern: The Olympia All Ages Project, celebrating one year of art and music in downtown Olympia.