Gentle Spirit, Jonathan Wilson’s critically acclaimed 2011 solo debut, sounded like Crosby, Stills, Nash & Young getting high on The Dark Side Of The Moon. The new Fanfare sets the Wayback Machine for a slightly more recent vintage—roughly 1975. The Sopwith Camel cover and occasional jazz flute filigree notwithstanding, Fanfare sounds like Crosby, Stills & … Continue reading From The Desk Of Jonathan Wilson: Laura Marling