Freetown Sound is so sharply perforating in its look at being black and queer in 2016 that it nearly erases the snarky, funny, seedy, kid-obsessive sounds and visions that Devonté Hynes has put forth in the past as Lightspeed Champion, Test Icicles and even the first two Blood Orange albums of 2011 and 2013. Respectively, … Continue reading Essential New Music: Blood Orange’s “Freetown Sound”