Every time Diamanda Galás sings, it feels like something bad is going to happen. Whether it be her originals or gutting recognizable standards from the inside out with her astronomical range and avant-garde piano playing, the music that passes through Galás’ lens feels like guerilla incantations being delivered at the gates of hell moments before … Continue reading Essential New Music: Diamanda Galás’ “All The Way” And “At Saint Thomas The Apostle Harlem”