Cults’ 2011 debut was a bracing cross-pollination of early-’60s girl-group sass and arty New York cool. The duo of Madeline Follin and Brian Oblivion put their own spin on a tried-and-true revivalist concept: Cults was less menacing than the Raveonettes but less detached than El Perro del Mar, and managed to be both a clever … Continue reading Essential New Music: Cults’ “Offering”