Over its 10-year history, Nori has developed quite the reputation for upending classic songs from the past. The Austin quintet’s unique take on popular Korean folk song “Arirang” and a freeform “Star-Spangled Banner” are two that come to mind. Tackling Neil Young’s “Old Man” aligns perfectly with this philosophy of reinvention. Once it settles into its easy groove, the familiar melody finds fresh footing within Nori’s soulfully orchestrated alt-jazz setting.
“The dissonant crescendo of strings and piano at the very beginning of the track attempts to reset any preconceived notions about the original,” says drummer/bandleader Andy Beaudoin.
“Old Man” is the second single from Nori’s forthcoming Walking Foot (Go Stop). Available August 15, the album uses quilt-making as a metaphor for its diverse patchwork of themes that touch on marginalization, abandonment, hope, rebirth and more. It plays like a soundtrack to some hypothetical theatrical production with Pulitzer aspirations. Trumpeter Erik Telford’s string arrangements are especially moving, laying a lush orchestral foundation for the group’s well-positioned improvisational interludes.
Nori’s lineup also includes pianist Nick Litterski, upright bassist Aaron Allen and vocalist Akina Adderley (great-niece of jazz legend Cannonball Adderley and granddaughter of Nat Adderley).
“When you hear Akina’s assertive voice enter with the very first words of ‘Old Man,’ you realize there are some gender dynamics at play here,” says Beaudoin.
We’re proud to premiere Nori’s cover of “Old Man.”
—Hobart Rowland
