Category: ESSENTIAL NEW MUSIC
Essential New Music: Adrian Sherwood’s “The Collapse Of Everything”
Thirteen years separate The Collapse Of Everything from its predecessor, Survival & Resistance. The gap seems particularly notable since Adrian
Essential New Music: Emmeluth / Håker Flaten / Filip’s “Hyperboreal Trio”
Hyperboreal Trio came by its name honestly. Danish alto saxophonist Signe Emmeluth and Norwegian bassist Ingebrigt Håker Flaten have both
Essential New Music: World Of Pooh’s “Tight And Loose”
Tight And Loose is an artifact of a time before San Francisco became a bedroom community for the tech empires.
Essential New Music: Wheelhouse’s “House And Home”
House And Home signals the return of Wheelhouse—an improvising ensemble comprising saxophonist Dave Rempis, vibraphonist Jason Adasiewicz and bassist Nate
Essential New Music: C Joynes & Mike Gangloff’s “Tom Winter, Tom Spring”
Some combinations are so natural that, in retrospect, you have to ask, “What took them so long to get together?”
Essential New Music: We Contain Multitudes’ “Minako”
Aging punks, take note: Those veterans of post-hardcore reference point Bitch Magnet, guitarist Jon Fine and drummer Orestes Morfin, have
Essential New Music: Colin Andrew Sheffield’s “Serenade”
Some musicians need just the right instruments to create. Colin Andrew Sheffield is not picky that way. If you happen
Essential New Music: Derek Monypeny / Kevin Corcoran’s “Abacomancy”
Seeing, says a cliché from another century, is believing. If you saw Derek Monypeny and Kevin Corcoran perform, you’d know
Essential New Music: Graden / Agnas / Landin / Bromander’s “Words Were Coming Out Our Ears”
Titles are often clues to an artist’s intentions, but Words Were Coming Out Our Ears may be more of a
Essential New Music: Jozef Van Wissem & Jim Jarmusch’s “The Day The Angels Cried”
Trust a man whose ideal compositional form is the palindrome to reckon with this axiom: Everything comes back to where
Essential New Music: Catherine Lamb X Ghost Ensemble’s “Interius/Exterius”
Matters of hierarchy often come to the fore when composers and classical ensembles represent themselves on an album cover. Who’s
Essential New Music: Eli Winter’s “A Trick Of The Light”
Eli Winter is Chicagoan by choice, and you know what they say about the seriousness of converts. The guitarist moved











