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Essential New Music: Bash & Pop's "Friday Night Is Killing Me"

Essential New Music: Bash & Pop’s “Friday Night Is Killing Me”

Apparently, Tommy Stinson fancied himself a songwriter—just not under the auspices of his cantankerous Replacements CEO. So when a frustrated
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Essential New Music: Alvvays' "Antisocialites"

Essential New Music: Alvvays’ “Antisocialites”

It’s ironic that Alvvays frontwoman Molly Rankin hails from the famed folk lineage of Canada’s Rankin Family. Because, only two
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Essential New Music: Antibalas' "Where The Gods Are In Peace"

Essential New Music: Antibalas’ “Where The Gods Are In Peace”

Brooklyn’s Antibalas is a multiethnic, multicultural collective that takes its inspiration from Fela Kuti’s Afrobeat, while adding a bit of
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Essential New Music: Deerhoof's "Mountain Moves"

Essential New Music: Deerhoof’s “Mountain Moves”

Deerhoof’s methodology from the start could best be described as a rotating collective of weirdos attempting to understand, absorb and
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Essential New Music: Ted Leo's "The Hanged Man"

Essential New Music: Ted Leo’s “The Hanged Man”

Ted Leo’s abundant, energetic live shows, astonishingly consistent knack for nimble, spiky pop/rock and general affability have earned him a
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Essential New Music: Myrkur's "Mareridt"

Essential New Music: Myrkur’s “Mareridt”

The discography of Myrkur (one Amalie Bruun) leading up to Mareridt—the 2014 self-titled debut EP, 2015’s full-length M, last year’s
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Essential New Music: Gary Numan's "Savage (Songs From A Broken World)"

Essential New Music: Gary Numan’s “Savage (Songs From A Broken World)”

What kind of animal species dooms itself to its own extinction? It’s a cold, clinical question that synth-rock pioneer Gary
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R.I.P. MAGNET Senior Writer Jonathan Valania