Category: GUEST EDITOR
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From The Desk Of Matmos: Brian Blomerth
Here’s the first thing to know: The album—all of it, every sound on its single 40-minute track—is played on a
From The Desk Of Matmos: Xu Bing’s “Book From The Ground: From Point To Point”
Here’s the first thing to know: The album—all of it, every sound on its single 40-minute track—is played on a
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From The Desk Of Shearwater’s Jonathan Meiburg: Morton Feldman’s “Piano And String Quartet”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Natalia Almada’s “El Velador”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
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From The Desk Of Shearwater’s Jonathan Meiburg: Jim Pepper’s “Witchi-Tai-To” And “Newly-Weds Song”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
From The Desk Of Shearwater’s Jonathan Meiburg: Emahoy Tsegué-Maryam Guèbrou’s “Piano Solo”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
R.I.P. MAGNET Senior Writer Jonathan Valania
