Category: INTERVIEWS

A Conversation With Rebecca Gates
More than 10 years have passed since Rebecca Gates put out her solo debut, Ruby Series. The former member of

Q&A With The Dandy Warhols’ Courtney Taylor-Taylor
Without a doubt, the Dandy Warhols is a band, a meeting of the Velvet-y minds with Brent DeBoer, Peter Holmström,

A Conversation With The Cult’s Ian Astbury
Ian Astbury is so much funnier than we imagined. Rather than be elusive where his past is concerned (goth progenitors

Five Questions With Garbage
MAGNET wanted to help prep the members of Garbage for the onslaught of press they’ll be doing to support their

A Conversation With The Twilight Sad
On their latest, No One Can Ever Know (FatCat), Scotland’s best musical export since the Jesus And Mary Chain tear

A Conversation With Marissa Nadler
Dreamy folkie or doom-metal goth? Party girl or paralyzed wallflower? Yes, yes, formerly and forever, says Massachusetts singer/songwriter Marissa Nadler.

Q&A With Wooden Wand
James Jackson Toth (better known by his nom de plume, Wooden Wand) and MAGNET go way back. We've been rabidly following

Q&A With Kevn Kinney
Kevn Kinney's music has always been lurking in the cobwebbed corners of your mind, even if you weren't aware of

Q&A With Dr. Dog
Last summer, rock 'n' roll six-piece Dr. Dog made a return to its Philadelphia home studio to record its seventh

Q&A With Jon Glaser
You may recognize Jon Glaser, but probably only if he's wearing a black ski mask. The NYC-based comedian writes, stars

Q&A With Nada Surf
Nada Surf’s Matthew Caws isn’t big on organized religion, but when the spirit does move him, it always has a

Q&A With Cardinal
After an 18-year absence, Cardinal has finally returned with Hymns (Fire), its sophomore album. To rabid fans of the bi-coastal

A Conversation With The Big Pink
There were shimmering moments on 2009’s excellent A Brief History Of Love wherein the Big Pink appeared poised to sneak

A Conversation With Barry Adamson
Barry Adamson is in a weird position. After winning acclaim for the noir-cinematic atmospheres of solo projects such as Moss