Category: MAGNET EXCLUSIVE

Darrin Hacquard has only co-written a song once. And “October Moon” is the result. “My friend Jay Jennings Vincent started

Lydia Luce’s latest single is the sound of an artist cutting herself a break. “It’s a love song to self,”

Like many troubled artists who reside in their own creative zip code, Drew Stroik deserved better than an obscure drug-related

There’s a distinct narrative to “Runnin’ Dry”—and it doesn’t run deep. “It’s mostly about your local pub running out of

Apparently, there’s a lo-fi scene in Brazil. And Oruã is in the thick of it. Founded in Rio de Janeiro

For better or worse (at least commercially), Ashley Monroe has never been beholden to one genre. Over five albums, she

The New Loud (Darcy Blue), Babes In Canyon’s full-length debut, has been percolating for quite some time. Over the past

Released earlier this year, ZZ Ward’s blues-heavy fourth release, Liberation, marked her debut with the legendary Sun imprint. To capitalize

Kashena Sampson describes “Phases” as “a spell of self-reflection, a way of honoring all sides of myself—the light and the shadow.”

Flight To London’s fine-tuned facsimile of synth pop’s ’80s heyday surpasses mere tribute-minded affectation. Credit highly skilled co-conspirators Jimmy McGorman

That we’re premiering “On And On Forever” on Spencer Miles’ wedding anniversary may be total fluke, but the Lips Of

Well The Night Has Come marks the end of a fallow period for Fulton Lights’ Andrew Spencer Goldman. Available November

Simply put, “And I Will” was a slog. “It went through so many forms,” says Grand Nathaniel’s J Burton. “The

Brian Dunne sure proved his mettle with team Fantastic Cat over the past year, most notably taking the lead on