Category: RECORD REVIEWS

If 2007’s Mapmaker was created a palpable buzz for Parts & Labor, Receivers should raise the noise to a distorted

“‘I have watched you all these years,’ said the Moon to me, ‘But when you are gone for good, I

For whatever cosmic reason, both of these discs from the post-Royal Trux outfits of Jennifer Herrema and Neil Michael Hagerty

You thought Woody Allen’s coital exploits were icky? Welcome to Skeletal Lamping, which could’ve been titled Everything You Never Wanted

Long before there was a small army of people on Craigslist available at your fingertips for a potential midnight kiss

Eric Bachmann’s post-Archers Of Loaf outfit makes music in an unpredictable mix of styles, from 2000’s woozy, strings-laden self-titled debut

When Ivan Howard and Kelly Crisp debuted as the Rosebuds in 2003, they were cut from classic indie-pop cloth: spare

Kurt Wagner has finally admitted what’s been true all along: No matter how many dozens of Nashville musicians play on

With its aptly titled fourth album, Dungen has put the stoner-rock community on notice. No longer will the Sabbath-worshipping decibel

God, this is depressing. And no, we’re not talking depressing as in mood or tone, but that a band such

The Yardbirds in the mid-’60s. The Jam in the late ‘70s. The Hoodoo Gurus in the early ’80s. Guided By

Chances are, you’ve heard something similar to Tracy Shedd before. Surrounded by guitar tones that vary from stark to stratospheric

Recording in a New Mexican mesa using only solar power, Brightblack Morning Light is happy to retreat from apocalyptic dread

Along with ruining the harmonica for every modern-day rocker, Bob Dylan’s influence on other people’s music often comes across as