PARTS & LABOR: Receivers [Jagjaguwar]

PARTS & LABOR: Receivers [Jagjaguwar]

If 2007’s Mapmaker was created a palpable buzz for Parts & Labor, Receivers should raise the noise to a distorted
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PETER ADAMS: I Woke With Planets In My Face [Subcircle]

PETER ADAMS: I Woke With Planets In My Face [Subcircle]

“‘I have watched you all these years,’ said the Moon to me, ‘But when you are gone for good, I
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RTX: JJ Got Live RaTX [Drag City] / THE HOWLING HEX: Earth Junk [Drag City]

RTX: JJ Got Live RaTX [Drag City] / THE HOWLING HEX: Earth Junk [Drag City]

For whatever cosmic reason, both of these discs from the post-Royal Trux outfits of Jennifer Herrema and Neil Michael Hagerty
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OF MONTREAL: Skeletal Lamping [Polyvinyl]

OF MONTREAL: Skeletal Lamping [Polyvinyl]

You thought Woody Allen’s coital exploits were icky? Welcome to Skeletal Lamping, which could’ve been titled Everything You Never Wanted
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SLEEPING IN THE AVIARY: Expensive Vomit In A Cheap Hotel [Science Of Sound]

SLEEPING IN THE AVIARY: Expensive Vomit In A Cheap Hotel [Science Of Sound]

Long before there was a small army of people on Craigslist available at your fingertips for a potential midnight kiss
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CROOKED FINGERS: Forfeit/Fortune [Red Pig/ Constant Artists]

CROOKED FINGERS: Forfeit/Fortune [Red Pig/ Constant Artists]

Eric Bachmann’s post-Archers Of Loaf outfit makes music in an unpredictable mix of styles, from 2000’s woozy, strings-laden self-titled debut
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R.I.P. MAGNET Senior Writer Jonathan Valania