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GUEST EDITOR

From The Desk Of Everclear’s Art Alexakis: Led Zeppelin

Regrets—Art Alexakis has had more than a few. And he’s had his share of losing, too. But the Everclear frontman has always done it his way. While far too many of his ’90s Pacific Northwest brethren (Kurt Cobain, Layne Staley, Andrew Wood, et al) ended up six feet under, Alexakis has been a survivor, enduring arrests, attempted suicide, drug abuse, divorce, depression, bankruptcy and much more. Despite being dubbed Nirvana lite by music critics, Everclear soldiered on, becoming a platinum-selling, Grammy-nominated, hit-making band, and Alexakis used this success to champion causes close to his heart. The revolving-door group’s latest release, In A Different Light (429), is a collection of (mostly) older Everclear songs reinterpreted in a stripped-down manner. Alexakis is guest editing magnetmagazine.com all this week. Read our Q&A with him.

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Alexakis: When I was seven, my big brother took me with him to the record store to buy Led Zeppelin II the day it came out, and it stayed on the old record player in our room for literally a year. If you lived in L.A. in the early ’70s, Led Zeppelin wasn’t just a band—they were religion! It didn’t seem possible to me that someone couldn’t like Led Zeppelin. When I started playing guitar when I was 14, I took a few lessons, but I really learned to play by ruining Led Zeppelin. It took me a couple of months, but I learned all the songs. When I played Madison Square Garden (the site of Led Zeppelin’s concert footage for the movie The Song Remains The Same) with Everclear in 2001, I broke out my red double-neck Gibson (just like Jimmy Page) and played a Zeppelin song. It seemed like the right thing to do.

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FREE MP3s

MP3 At 3PM: Vinca Minor

vincaminor5424Vinca Minor is the alias of Seattle native Matt Menovcik, who takes his namesake from a periwinkle flower and draws inspiration from movie scores such as Brian Eno’s Music For Films. Menovcik’s debut album is out February 9 on Second Shimmy Records. The aptly titled Isolation is sparse yet emotional, as can be heard on the hazed-out, ambient “Waves” and “In Your Arms,” which you can download below.

“Waves” (download):
https://magnetmagazine.com/audio/Waves.mp3

“In Your Arms” (download):
https://magnetmagazine.com/audio/InYourArms.mp3

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DAVID LESTER ART

Normal History Vol. 44: The Art Of David Lester

lesterNormalHistoryVol44Every Saturday, we’ll be posting a new illustration by David Lester. The Mecca Normal guitarist is visually documenting people, places and events from his band’s 26-year run, with text by vocalist Jean Smith.

“Political”: A song about me. John Mann (boyfriend circa 1985), singer in Spirit Of The West. I could respond, never have, as to why “every little thing had to be so political.”

And ya, I wrote a couple songs about him, too—on the first Mecca Normal LP (Smarten UP!, 1986). “Not With You” (“I won’t live my life, no, not with you … I’ve got my dreams, they’re nothing to you … I’ve got my dreams, I’ll see them through … I’m gonna see my dreams come true … If you’re not changing, well, that’s OK, that’s OK, too … I’ve got my life, it’s not with you”) and “Sha La La la La” (“You vote Socred next time, instead of NDP, and I’m gonna have to wonder about you me … Sha la la la la la”)

“When we started out [in 1983], we were quite folky,” Mann recalls. “We were trying to write as best as we could about things that were going on in British Columbia, hence the name. And around Expo 86, the band became more politicized.”

It was a time of labour unrest, of Downtown Eastside hotel evictions, of Bills Vander Zalm and Bennett (Socred party leaders in British Columbia). It was also around that time that Mann became romantically involved with Mecca Normal singer Jean Smith, who remains an influential figure in the Vancouver rock underground.

“She was—and still is—a really political person, a political being who really walks the talk,” Mann says of his former partner. “And the effect of her views on me in turn affected the band. We started looking at the world differently—and certainly from more of a left-of-centre viewpoint.” —Georgia Straight.com

Jan. 20, 2010
Hi John,
Popping up, out of the blue, to send powerful thoughts your way. Wishing you every form of strength you need to overcome this current health situation.
Jean (so political) Smith

Wait … January 20 … an anniversary.

On the morning of Jan. 20, 1983, the Vancouver Five were captured on the road to their training area by an RCMP tactical unit disguised as a road crew. The five received sentences ranging from six years to life. —Wikipedia

To avoid having any more songs written about how annoyingly political I was, I took up with someone even heavier than me. Gerry Hannah of the Subhumans and the Vancouver Five—someone even more “so political” than me, albeit, when I knew him, he’d served his time and was more in-tune with the great outdoors and freedom. The direct act of being free. Direct action in terms of, as Gerry put it in an interview—”The song (“Nowhere To Run”) describes more of a personal struggle with depression, anger and a fear of failure. It’s a song about how easy it is to keep making the same mistakes over and over again when one is afraid to make the necessary changes in one’s life to become a whole person. It often seems easier to run away from the fear and pain one feels inside, but eventually (hopefully), one realizes that you can’t run away from something you’re carrying around inside of you. You have to deal with it. You have to understand it and to meet it face to face in order to eventually be free of it.” —Culture Bully

The Subhumans have been playing shows recently. John Mann is playing shows. Mecca Normal continues on. The politics are not obvious. The personal is political. Carry on, my wayward ones ( … don’t you cry no more —Kansas).

Categories
GUEST EDITOR

From The Desk Of Everclear’s Art Alexakis: Cigars

ArtlogoRegrets—Art Alexakis has had more than a few. And he’s had his share of losing, too. But the Everclear frontman has always done it his way. While far too many of his ’90s Pacific Northwest brethren (Kurt Cobain, Layne Staley, Andrew Wood, et al) ended up six feet under, Alexakis has been a survivor, enduring arrests, attempted suicide, drug abuse, divorce, depression, bankruptcy and much more. Despite being dubbed Nirvana lite by music critics, Everclear soldiered on, becoming a platinum-selling, Grammy-nominated, hit-making band, and Alexakis used this success to champion causes close to his heart. The revolving-door group’s latest release, In A Different Light (429), is a collection of (mostly) older Everclear songs reinterpreted in a stripped-down manner. Alexakis is guest editing magnetmagazine.com all this week. Read our Q&A with him.

padron1926serie40thanniversaryAlexakis: I grew up hating cigars. The smell, the look and the whole image that goes with it. I smoked cigarettes from the age of 10 to the age of 24, and I didn’t touch tobacco again until I was 41 and some guy offered me a little flavored cigar at a party. I kinda liked it and thought, “No big deal. You don’t even inhale. This will never be a problem.” Right. Within three months, I was smoking eight a day of the biggest, strongest and most obnoxious cigars I could find. I smoked cigars for about two and half years until Vanessa told me I had a choice: cigars or her. So I quit on New Years of 2006 and have never went back. But I think about them all the time. I have kicked hard drugs, alcohol, even a sex addiction, but the one thing I truly miss is a Padrón cigar. If I live to 80, all bets are off. Vanessa will put me in a house in the back, and I plan on smoking tough until the day I die. Video after the jump.

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VIDEOS

Film At 11: Ruby Isle

Ruby Isle—Mark Mallman, Dan Geller (Kindercore Records co-founder) and Aaron LeMay (International Espionage)—plays dance music for the indie-rock set. In 2008, the boys released debut album Night Shot, and now there’s a digital-and-vinyl-only remix version of the LP. MAGNET is proud to premiere the video for “So Damn High (Will Eastman Club Mix),” the first single from Night Shot: The Remixes (Kindercore).