Categories
TAKE COVER!

Take Cover! Stone Temple Pilots Vs. Led Zeppelin

When is a cover song better than the original? Only you can decide. This week Stone Temple Pilots take on Led Zeppelin’s “Dancing Days.” MAGNET’s Ryan Burleson pulls the pin. Take cover!

By the time Led Zeppelin released Houses Of The Holy in March 1973, the British quartet had earned heaps of musical capital. The band’s previous four albums had already made them living legends, proving time and again that their outsized bravado, both as players and people, was not thinly veiled. In those early years, Zeppelin constantly re-invented the blues, wringing the genre through a gritty, distorted filter at the same time the group honored its sobriety. The band members were not interested in kitsch, but they were fascinated by experimentation.

Houses Of The Holy was no Magical Mystery Tour, to be sure, but it did represent a break from the past for Zeppelin, one earned through the consistent triumphs of its earlier work. The atmosphere became lighter but no less rich, the band perhaps taking itself less seriously but not at the expense of the principled approach to songcraft it had always maintained. New instruments like the mellotron were introduced, and synthesizers began to play a larger role. Jimmy Page, ever the rock god, began to take a greater interest in atmosphere, the studio itself seen as another tool capable of expanding the band’s horizons. Songs like “D’Yer Mak’er,” a reggae-lite jam, and “The Crunge,” an ode to James Brown funk, revealed a band with more than just a blues fetish—and perhaps a sense of humor to boot.

For its part, “Dancing Days” took its inspiration from a trip Page and Robert Plant took to Bombay, India, where the two, who, it should be said wrote most of Zeppelin’s material as a team, heard something special in the native sound that they wanted to honor. The influence is subtle but recognizable, Page’s primary riff sort of mimicking the fluidity of a sitar. Otherwise, Zeppelin does as Zeppelin does: “Dancing Days” is as sexy a rock song as they come, past, present or future.

The public agreed. Houses Of The Holy went on to achieve diamond status from the RIAA, selling more than 11 million copies in the U.S. alone. And two years after its release, Zeppelin bested the Beatles’ Shea Stadium blow-out by performing for 56,800 fans at Tampa Stadium. Apparently, the capital was well-spent.

Stone Temple Pilots covered “Dancing Days” at the height of their own success in 1995, rendering the song in a more low-key style that, while not so different from the original, can almost sound like an STP original. This should be unsurprising since the quartet, also signed to Atlantic, owed much to Zeppelin’s groundbreaking sound.

Cast your vote wisely.

The Cover:

http://www.youtube.com/watch?v=yQRPM8Mm6RQ

The Original:

http://www.youtube.com/watch?v=E1YVQioYgxg

[poll id=”163″]

Categories
GUEST EDITOR

White Lies’ Jack Lawrence-Brown Still Loves: Milan Kundera

British trio White Lies—guitarist/vocalist Harry McVeigh, bassist Charles Cave and drummer Jack Lawrence-Brown—just released Ritual (Geffen/Fiction), which follows up To Lose My Life…, the band’s commercially successful 2009 debut. The 10-track sophomore LP was co-produced by Alan Moulder (Depeche Mode, Killers) and was written over a five-week period when White Lies wasn’t crisscrossing the globe in support of its first album. Though McVeigh, Cave and Lawrence-Brown are all barely old enough to drink legally in the U.S., the threesome has been playing together as a band since their mid-teens, first as Fear Of Flying, which released two singles produced by Stephen Street (Smiths, Blur), and then under the White Lies moniker. The trio will be guest editing magnetmagazine.com all week. Read our brand new Q&A with them.

Lawrence-Brown: Over the last couple of years, I have read more books than in the rest of my life combined. When touring, you often find yourself with huge stretches of dead time spanning out in front of you, as you head towards your next destination. By dead time, I mean time spent in confined spaces (tour bus, airport, plane, train) that severely limit what you can do. Anyway, reading is my pastime of choice for such occasions. And Milan Kundera has become my favorite author. He is probably most well known for his book The Unbearable Lightness Of Being, but really, everything he has written is of a very high standard. He is so knowledgeable about the world that every time I read one of his books, I can’t help but feel like I am learning something. I also feel like I know him fairly well as a person somehow, just by the way he writes. I would love to meet him. His books are occasionally political, but always philosophical, and you come out the other side feeling a slightly improved person. My personal favorite book of his is Immortality.

Video after the jump.

Categories
VIDEOS

Film At 11: The Dears

The Dears‘ fifth album, Degeneration Street (Dangerbird), is out February 15, and it was produced by Tony Hoffer (Phoenix, Belle And Sebastian). In May, the Montreal band did a three-day residency in Mexico City to debut new material, and now the Dears will be previewing tracks from Degeneration Street along with unreleased material and other goodies every Monday night in December, January and February here. Watch the video for album track “Omega Dog” (which was shot by the band and Sinbad Richardson as an homage to 2000 video “End Of A Hollywood Bedtimes Story”) below, watch the original “End Of A Hollywood Bedtimes Story” clip here, watch a live video of “Omega Dog” here, and read our 2008 Q&A with frontman Murray Lightburn.

Categories
TIVO PARTY TONIGHT

TiVo Party Tonight: The National, One EskimO, George Clinton, Todd Rundgren, Interpol, Peter, Bjorn, & John, The Thermals

Ever wonder what will happen during the last five minutes of late-night TV talk shows? Here are tonight’s notable performers:

The Late Show With David Letterman (CBS): The National
The National is supporting latest LP High Violet.

The Tonight Show With Jay Leno (NBC): One EskimO
The U.K.’s One EskimO will most likely play something from its only album, which the band released two years ago. No talk of anything new.

The Late Late Show With Craig Ferguson (CBS): George Clinton
Ferguson is getting groovy tonight as George Clinton and Parliament Funkadelic performs “One Nation Under Groove.”

Late Night With Jimmy Fallon (NBC): Todd Rundgren
Musician and producer Todd Rudgren is promoting Todd Rundgren’s Short Johnson. If nothing else, check out the website of a ’70s rocker lost in the modern age.

Last Call With Carson Daly (NBC): Interpol
Interpol is supporting its self-titled album.

Conan (TBS): Peter, Bjorn And John
Swedes PB&J are plugging forthcoming album Gimme Some.

Lopez Tonight (TBS): The Thermals
The Thermals are playing “Never Listen To Me” from latest album Personal Life.

Categories
GUEST EDITOR

White Lies’ Jack Lawrence-Brown Still Loves: Dia: Beacon Gallery

British trio White Lies—guitarist/vocalist Harry McVeigh, bassist Charles Cave and drummer Jack Lawrence-Brown—just released Ritual (Geffen/Fiction), which follows up To Lose My Life…, the band’s commercially successful 2009 debut. The 10-track sophomore LP was co-produced by Alan Moulder (Depeche Mode, Killers) and was written over a five-week period when White Lies wasn’t crisscrossing the globe in support of its first album. Though McVeigh, Cave and Lawrence-Brown are all barely old enough to drink legally in the U.S., the threesome has been playing together as a band since their mid-teens, first as Fear Of Flying, which released two singles produced by Stephen Street (Smiths, Blur), and then under the White Lies moniker. The trio will be guest editing magnetmagazine.com all week. Read our brand new Q&A with them.

Lawrence-Brown: I have only had the opportunity to visit this amazing modern-art gallery once, but I am certain that I will be return as regularly as possible. The gallery is located in Beacon, N.Y., a beautiful train ride northbound along the Hudson River from Manhattan. The artwork is housed inside a series of enormous warehouses that were originally part of a box factory constructed in the 1920s, and the size of the gallery lends itself well to works on a similar scale, with permanent installations from artists such as sculptor Richard Serra, who can rarely find galleries big enough to house his work. The collection also includes work by Sol LeWitt, Andy Warhol, Walter De Maria, Agnes Martin and Louise Bourgeois. And loads more besides them. It also has a very beautiful and peaceful “seasonal” garden (whatever that means). It was beautiful when I visited in summer, anyway. I can’t vouch for the other seasons. Well worth a day trip from Manhattan. For me, it’s a superior experience to visiting the many (very good) galleries in the city.

Video after the jump.