Camera Obscura has been perfecting its patented brand of bittersweet, lovelorn baroque pop over the course of four albums now. And after an almost four-year layoff, the band is back with Desire Lines (4AD), and it’s really rather lovely. Tracyanne Campbell talks of getting out of the band’s collective comfort zone by using a new producer, Tucker Martine (Spoon, R.E.M., My Morning Jacket), as opposed to Jari Haapalainen, who’d worked on its two last albums. But those fans suddenly fearing a startling left turn in the group’s sound can rest easy—there are no ill-advised forays into po-faced, chin-strokingly self-conscious experimentalism here. If anything, Desire Lines is a refinement, a lusher, perhaps more fully realized take on the perfect pop of Let’s Get Out Of This Country and My Maudlin Career. Camera Obscura—Campbell, Gavin Dunbar, Carey Lander, Kenny McKeeve and Lee Thomson—will be guest editing magnetmagazine.com all week. Read our new feature on them.
Lander: I don’t think there are many beauty brands originating in Glasgow, so I am proud of this independent company producing proper rock ‘n’ roll false lashes. It is the work of awesome makeup artist Ana Cruzalegui, created to reflect her love of art and music and has featured collaborations with Ladytron and Sons And Daughters. The lashes themselves are unapologetically glamorous and the perfect way to add poetry and drama to an outfit.
Video after the jump.
