Category: GUEST EDITOR
From The Desk Of Shearwater’s Jonathan Meiburg: Patrick Leigh Fermor’s “A Time To Keep Silence”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
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From The Desk Of Shearwater’s Jonathan Meiburg: Abner Jay’s “Swaunee Water And Cocaine Blues”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
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From The Desk Of Shearwater’s Jonathan Meiburg: Andy Kaufman’s “Plays Carnegie Hall”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
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From The Desk Of Shearwater’s Jonathan Meiburg: Laurie Anderson’s “Home Of The Brave”
Shearwater’s Jet Plane And Oxbow is an album that looks backward—to the recording technologies and sounds of the early ’80s—in
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R.I.P. MAGNET Senior Writer Jonathan Valania
From The Desk Of The High Llamas’ Sean O’Hagan: Peter Reder
It might seem unusual, at first: British folk/pop auteur Sean O’Hagan padding Here Come The Rattling Trees—his latest outing as
From The Desk Of The High Llamas’ Sean O’Hagan: Critic Catholicism
It might seem unusual, at first: British folk/pop auteur Sean O’Hagan padding Here Come The Rattling Trees—his latest outing as
