Category: RECORD REVIEWS
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Essential New Music: Sharon Van Etten’s “I Don’t Want To Let You Down”
One of Sharon Van Etten’s talents has always been her ability to make something seem bigger than it actually is.
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Essential New Music: The Space Merchants’ “The Space Merchants”
This Brooklyn band refers to itself as “a country band travelling through space” or, when feeling particularly pretentious, “Johnny Cash
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Essential New Music: Cynthia G. Mason’s “Cinematic Turn”
Returning after a seven-year hiatus from music, Philadelphia-based singer/songwriter Cynthia G. Mason has lost nary a step. Her new five-song
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Essential New Music: Heartless Bastards’ “Restless Ones”
It would seem that Austin transplants Heartless Bastards have evolved into a band of unique focus—a smart, purposeful ensemble boasting
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Essential New Music: Various Artists “Remembering Mountains: Unheard Songs By Karen Dalton”
She had one of the most haunting, most arresting voices in all of American musical history, as immediately recognizable as
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Essential New Music: Graham Parker & The Rumour’s “Mystery Glue”
This is Graham Parker’s second album with the reunited backup band that gave his early albums so much fire and
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Essential New Music: The Helio Sequence’s “The Helio Sequence”
The Helio Sequence has worked on a fairly panoramic screen over the past decade and a half, projecting its evocative
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Essential New Music: Beauty Pill’s “Beauty Pill Describes Things As They Are”
On its first album in 10 years, D.C. band Beauty Pill takes a sledgehammer to boundaries and orthodoxies. Prior releases
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Essential New Music: Half Japanese’s “Volume 3, 1990-1995”
Rock ‘n’ roll doesn’t get any better than this. Period. These three albums—1990’s We Are They Who Ache With Amorous
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Essential New Music: Low Cut Connie’s “Hi Honey”
Even when a mere year separated the release of Low Cut Connie’s second album from its first, the energetic combo
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Record Review: The Tallest Man On Earth “Dark Bird Is Home”
Kristian Matsson is a musician who can hold a theater of thousands in rapt attention with just an acoustic guitar
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Essential New Music: Mew’s “+ -“
Since 1994, the Danish indie rockers in Mew have found interesting and engaging ways to bend progressive rock into exotic
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Essential New Music: Prurient’s “Frozen Niagara Falls”
In an about-face to the insular world of American noise music, which he’d been the preeminent voice of for nearly
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Record Review: Wire’s “Wire”
A curiously self-titled Wire album betrays a lack of new ideas When a band names its debut after itself, the