Best Of 2016: Q&A With Lucy Dacus


We caught up with Lucy Dacus just after she had returned from a short U.K. tour and almost exactly a year after her single “I Don’t Wanna Be Funny Anymore” came out and started catching people’s attention. Back then, she was working a seasonal job in a photo lab. “This is kind of the first major break we’ve had since March, so I’m excited to sit around on my couch and not have anything to do,” she says, although she’s already looking forward to working on demos for her next album. She took some time away from her couch to talk to MAGNET about her surprising year.

Congratulations. No Burden is MAGNET’s number-one record of the year!
That’s so awesome. I didn’t know that. That’s so cool! It’s such an honor.

What were you expecting your year to be like when you were getting ready to put out the album?
It’s only been recently that I realized that I don’t have to go back to the photo lab anymore. I try to put myself back a year ago, because the single wasn’t even out yet, and I would never have been able to imagine what this year would be. It’s a huge change, to start a career. When most people start a career, they plan for it. For us, it just kind of happened and we realized after the fact that this is our job now. It’s been a lot of adjusting. It’s been weird, but it’s the best job in the world, so no complaints.

Was there a moment when it changed from people coming to shows and not knowing who you were to when it was apparent to you that they were there to see you?
I don’t think it was a moment, but there were small realizations that led me to believe that the music had reached people in ways I didn’t expect. At first, it was seeing people know the words to the songs. That’s always the biggest compliment that people can ever give because it shows that your music has taken up their time and their thoughts when you weren’t around; they had chosen to listen to you. It’s such a gift. A more recent response is that in response to Trump’s election, people have posted some of the lyrics of my songs as encouraging and as a way of finding comfort. I had never thought of the music manifesting itself that way, but that’s ideal. I’d want people to find comfort and solace in something that I’ve said. That kind of recently crystalized what this job is to me.

What were the lyrics they posted?
There’s a lyric in the song ‘Trust,’ which is just me and an acoustic guitar, that is “Beauty is the only way to make the nightmares go away/I’ll plant the garden in your brain and let the roots absorb the pain.” Seeing that line through someone else’s eyes, in their context, taught me what the song is about, even though I wrote it.

What were some highlights for you this year?
I guess it began with our album release and our tour. Going to SXSW felt like a touchstone moment; we’d never played a festival like that. Touring with Car Seat Headrest, another Matador band, was awesome in September, just because I love their record that came out this year. Playing with the Decemberists was really cool, because we’re all big fans of them. Playing Lollapalooza was awesome. I’m just talking about music highlights. Maybe our hometown show at the National here in Richmond where I’ve seen all my favorite bands like St. Vincent, Pixies, Neutral Milk Hotel. We played a headlining show there, and that maybe was the biggest deal of this year so far, because everyone in the crowd was someone from my life or someone I cared about; some people I didn’t even know who went to my high school but knew all the words; people who knew me when I was seven and singing at our church. It felt like a real surreal day.

What were some of your favorite records of 2016?
My most listened to records of this year, for sure: Big Thief’s Masterpiece—I love that record and that band. Andy Shauf’s The Party, Car Seat Headrest’s Teens Of Denial, Julia Jacklin’s album Don’t Let The Kids Win. Solange’s album is awesome. Chance The Rapper’s album: so good. Beyoncé’s album: really, really good. What am I missing? Oh, Y La Bamba put out an album this year, and it’s maybe the most underrated album of the year in my opinion. It’s so, so good.

Enjoy your time off!
It’s so nice just to lay around!

—Steve Klinge; photo by Gene Smirnov