Category: ESSENTIAL NEW MUSIC

Essential New Music: Radian’s “Distorted Rooms”
Distorted Rooms is the first Radian record in seven years. That may seem like a long time, even allowing for

Essential New Music: Hello Whirled’s “No Use Crying Over Spilled Blood”
Whenever anyone writes about Robert Pollard of Guided By Voices, it’s a fair bet they mention that he’s prolific. (You

Essential New Music: James Brandon Lewis/Red Lily Quintet’s “For Mahalia, With Love”
For Mahalia, With Love is a record that gets down to fundamentals, but not just in the way that its

Essential New Music: P.G. Six’s “Murmurs & Whispers”
Pat Gubler is the kind of guy who can intuit fellow musicians’ ideals and help them sound like better versions

Essential New Music: Talking Heads’ “Stop Making Sense”
The movie Stop Making Sense constitutes an undeniable high for Talking Heads. The Jonathan Demme-directed documentary of the band’s 1983

Essential New Music: Naujawanan Baidar’s “Khedmat Be Khalq”
Naujawanan Baidar grew from heavy psych combo Myrrors, but don’t call it a side project. Rather, consider it to be

Essential New Music: L. Eugene Methe’s “Maybe, Tomorrow”
L. Eugene Methe’s work to date has been all over the map. The Nebraska-based musician has recorded one LP of

Essential New Music: The Rempis Percussion Quartet’s “Harvesters”
Dave Rempis has been an essential figure on Chicago’s improvised music scene for more than a quarter century. But while

Essential New Music: Guided By Voices’ “Welshpool Frillies”
After penning a review of 2018’s Space Gun—and compiling a well-received (sarcasm) ranking of Guided By Voices’ 25 LPs up

Essential New Music: Attempt Survivors’ “Negative Nite”
“Extinction is the rule,” Carl Sagan once wrote. “Survival is the exception.” Most of the time, that seems like a

Essential New Music: Mike Cooper’s “Life & Death In Paradise + Milan Acoustic Live 2018”
The moment when it seems like you have nothing to lose can be a good time to strike a deal.

Essential New Music: Jim O’Rourke’s “Hands That Bind (Original Motion Picture Soundtrack)”
Jim O’Rourke’s passion for film has informed his music from the start. Cinematic notions of pacing and structure influence his

Essential New Music: Nicolas Leirtrø/Ingebrigt Håker Flaten/Ståle Storløkken’s “Heaven Hill Fragmentarium”
There’s a story that when Jack Nicholson and Michael Keaton were on set making Batman, the former advised the latter

Essential New Music: Black Duck’s “Black Duck”
If Rhys Chatham hadn’t already done something with the name, Black Duck really should have been named Guitar Trio. Some