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Essential New Music: Anti-Flag's "American Fall"

Essential New Music: Anti-Flag’s “American Fall”

Considering the results of the last presidential election and its attendant fallout, the times are ripe for a revitalization of
/ ESSENTIAL NEW MUSIC
Essential New Music: Beck's "Colors"

Essential New Music: Beck’s “Colors”

If 2014’s Morning Phase was surprising (and winning in every way) for its soft, supple melancholy—a distant cousin to Beck’s
/ ESSENTIAL NEW MUSIC
Essential New Music: The Jam's "1977"

Essential New Music: The Jam’s “1977”

Neither as bracingly rude as the Sex Pistols nor as persuasively political as the Clash, the Jam didn’t translate Stateside
/ ESSENTIAL NEW MUSIC

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Essential New Music: Jeremy Enigk's "Ghosts"

Essential New Music: Jeremy Enigk’s “Ghosts”

Jeremy Enigk shouldn’t be a hidden gem. Not after four albums with the legendary Sunny Day Real Estate and a
/ ESSENTIAL NEW MUSIC
Essential New Music: Converge's "The Dusk In Us"

Essential New Music: Converge’s “The Dusk In Us”

Hyping Boston-based hardcore heroes Converge to a readership with backgrounds steeped in indie rock (i.e., most of you reading MAGNET)
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Essential New Music: Foo Fighters' "Concrete And Gold"

Essential New Music: Foo Fighters’ “Concrete And Gold”

Without bothering to apologize for any perceived punning, never mind Dave Grohl and Pat Smear’s hardcore, noise-punk pedigrees any longer.
/ ESSENTIAL NEW MUSIC

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R.I.P. MAGNET Senior Writer Jonathan Valania

Essential New Music: Kelley Stoltz's "Que Aura"

Essential New Music: Kelley Stoltz’s “Que Aura”

Some folks do their best to sound like their heroes; Kelley Stoltz once did a note-for-note re-creation of Echo &
/ ESSENTIAL NEW MUSIC