Category: MAGNET CLASSICS
MAGNET Classics: The Making Of Fairport Convention’s “Liege & Lief”
The making of Fairport Convention’s Liege & Lief By A.D. Amorosi “Come all ye rolling minstrels/And together, we will try/To
MAGNET Classics: The Making Of Graham Parker & The Rumour’s “Howlin’ Wind”
The making of Graham Parker & The Rumour's Howlin’ Wind By A.D. Amorosi One thing Graham Parker appreciates when discussing
MAGNET Classics: The Making Of Pete Yorn’s “Musicforthemorningafter”
The making of Pete Yorn's musicforthemorningafter By Hobart Rowland musicforthemorningafter couldn’t have been foisted on listeners at a less-opportune time.
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MAGNET Classics: The Making Of Wire’s “Pink Flag”
The making of Wire's Pink Flag By A.D. Amorosi Though born of the punk moment, ethos and conviction, the debut
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MAGNET Classics: The Making Of Buffalo Tom’s “Let Me Come Over”
The Making Of Buffalo Tom's Let Me Come Over By Hobart Rowland It’s fitting that, for quite a few Buffalo
MAGNET Classics: The Making Of Helium’s “The Magic City”
The Making Of Helium's The Magic City By A.D. Amorosi To hear Washington, D.C.-born Mary Timony tell it, she could’ve
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MAGNET Classics: The Making Of The Lilys’ “The 3 Way”
The making of the Lilys' The 3 Way By Matthew Fritch “The 3 Way is the result of my longstanding
R.I.P. MAGNET Senior Writer Jonathan Valania
MAGNET Classics: The Making Of Interpol’s “Turn On The Bright Lights”
The making of Interpol's Turn On The Bright Lights By Corey duBrowa It’s the most mesmerizing 3:57 in indie rock
MAGNET Classics: The Making Of The Hold Steady’s “Separation Sunday”
The making of the Hold Steady's Separation Sunday By Hobart Rowland Separation Sunday rightly qualifies as the Hold Steady’s Born
