Category: MAGNET CLASSICS

The making of Fairport Convention’s Liege & Lief By A.D. Amorosi “Come all ye rolling minstrels/And together, we will try/To

The making of Graham Parker & The Rumour's Howlin’ Wind By A.D. Amorosi One thing Graham Parker appreciates when discussing

The making of Pete Yorn's musicforthemorningafter By Hobart Rowland musicforthemorningafter couldn’t have been foisted on listeners at a less-opportune time.

The making of Wire's Pink Flag By A.D. Amorosi Though born of the punk moment, ethos and conviction, the debut

The Making Of Buffalo Tom's Let Me Come Over By Hobart Rowland It’s fitting that, for quite a few Buffalo

The Making Of Helium's The Magic City By A.D. Amorosi To hear Washington, D.C.-born Mary Timony tell it, she could’ve

The making of the Lilys' The 3 Way By Matthew Fritch “The 3 Way is the result of my longstanding

The making of Interpol's Turn On The Bright Lights By Corey duBrowa It’s the most mesmerizing 3:57 in indie rock

The making of the Hold Steady's Separation Sunday By Hobart Rowland Separation Sunday rightly qualifies as the Hold Steady’s Born

The making of the New Pornographers’ Mass Romantic By Steve Klinge Mass Romantic snuck out into an unsuspecting world during

The making of Yo La Tengo’s Painful By Steve Klinge Why Painful? Over its 30-year career, which the band recently

The making of the Afghan Whigs’ Congregation By Matt Ryan There are many remarkable things about Congregation, the Afghan Whigs’

The making of Devo's Freedom Of Choice By A.D. Amorosi Saying that Devo once found itself in an oddly uncomfortable

The making of the Long Winters' When I Pretend To Fall By Matthew Fritch In 2003, the Long Winters released