Category: RECORD REVIEWS

Rock ‘n’ roll doesn’t get any better than this. Period. These three albums—1990’s We Are They Who Ache With Amorous

Even when a mere year separated the release of Low Cut Connie’s second album from its first, the energetic combo

Since 1994, the Danish indie rockers in Mew have found interesting and engaging ways to bend progressive rock into exotic

In an about-face to the insular world of American noise music, which he’d been the preeminent voice of for nearly

A curiously self-titled Wire album betrays a lack of new ideas When a band names its debut after itself, the

“So much that I can’t say to you,” Mark Kozelek croons on “Drop,” a raw, ethereal epic toward the end

Metz spent five years solidifying a reputation as a must-see live band before it ever got around to releasing a

With Foil Deer, Speedy Ortiz fully owns its style, quirks and neuroses on a level that would have been unimaginable

Recent chatter around the water cooler concerns the strides Tom Jenkinson has taken toward injecting harsher, more aggressive elements into

For a band that titles its album No Control, Turbo Fruits really seem to have their shit together. We’re loath

The Replacements’ studio output illustrates that the Minnesota legends were at their best together If your dictionary had really good

This really could not have gone better. Simply stated, The Magic Whip has all the hallmarks of Blur’s best work—bursting