From The Desk Of Bird Streets’ John Brodeur: “Eternal Sunshine Of The Spotless Mind”

Omnivore just released the self-titled debut album from Brooklyn’s Bird Streets (a.k.a. John Brodeur). In addition to self-releasing records over the past two decades, Brodeur also worked as a music journalist (poor guy). For Bird Streets’ debut, Brodeur enlisted Jason Falkner (Beck, Air, Paul McCartney, Jellyfish, etc.) as co-writer, co-player and producer, while Miranda Lee Richards and Luther Russell contribute to a few tracks as well. Brodeur will be guest editing all week. Check out the Bird Streets track we premiered in June.

Brodeur: An artfully crafted, deeply surreal, beautifully honest film about love and memory and the things that make us what we are. I remember seeing it for the first time with a then-recent ex-lover—our relationship left the theater far more complicated than when it arrived. Needless to say, this film has stuck with me like few others. It ticks all the emotional boxes, especially if you’re young and sad and trying to figure out what romantic love is all about. Michel Gondry’s skewed visionary eye brings to vivid life Charlie Kaufman’s brilliant and touching screenplay. (This slot almost went to Synecdoche, New York, Kaufman’s directorial debut from several years later, which I recommend highly if you’re into diving headfirst into existential rabbit holes.) Jim Carrey does some of his best work here (not counting his paintings) as the introverted and shell-shocked Joel. Kate Winslet is pitch-perfect as the “manic pixie dream girl” type, or is that just Joel’s memory of her? The supporting actors are uniformly excellent. Jon Brion did the score, which is always a major plus. And it’s capped by Beck’s mournful version of “Everybody’s Gotta Learn Sometime,” which is so of a piece with his work of that period that I half-expect to hear it when I listen to Sea Change.