Magnet Magazine

Pianist Pat Thomas, alto saxophonist Seymour Wright, double bassist Joel Grip and drummer Antonin Gerbal are أحمد [Ahmed]. Together, they’ve

Spoon, the Beths and Squirrel Flower at the Fillmore, Philadelphia. Photos by Chris Sikich.

The Breeders and Violet Grohl at the Rooftop At Pier 17, New York City. Photos by Wes Orshoski.

The River Roads Music Festival 2026 (featuring Dar Williams, 10,000 Maniacs, Billy Bragg, Shawn Colvin, Susan Werner, Miko Marks and

The Breeders and Sean Solomon at the Fillmore, Philadelphia. Photos by Chris Sikich.

Noah Kahan and Gigi Perez at Citizens Bank Park, Philadelphia. Photos by Evan Albuck.

Every week, we’ll be posting a new illustration by David Lester. The Mecca Normal guitarist is visually documenting people, places

The following excerpt is from The Dead Milkmen (J-Card Press) by Tyler Sonnichsen, out June 30. The Dead Milkmen (1983-1995,

The inspiration for Chase Elodia’s new single sprung from modest means—specifically, a fleeting interaction on an idyllic summer evening. “This

Since emerging from the ether almost 40 years ago, the Telescopes have drifted freely and sometimes fitfully between noise rock,

There’s a certain variety of country/rock song that feels like it’s been floating around for decades, even if it’s spanking

Life has a way of dismantling best-laid plans, to the point where it’s almost cliché. For David Wimbish, the period

More than 40 years removed from Antietam’s early underground days in Hoboken, N.J., The Counting Game (Dromedary) arrives at a

A sharp eye for contradiction informs “Greenwich Village,” a single inspired by the wanderings of Little Falls Trophy frontman Doug

Few artists have dissected the complexities of their inner lives as thoroughly or productively as Kevin Barnes. Across a 30-year

Turns out “The Thing” is the perfect leadoff track to Pokey LaFarge’s forthcoming LP. Rent Money (Boxer Boy) is an

With an expansive arrangement that mirrors its central message, “Spinnin’” is a striking testament to personal growth’s inability to follow

Fronted by three distinct singer/songwriters, Futurebirds make albums that unfold like a good conversation, their voices shaped by a shared

Diles Que No Me Maten fully buys into the belief that improvisation can lead to something transcendent if it embodies

“Collaborating musically with other species is a bit like embracing the reality of fairy tales,” says Jim Nollman. “Humans and

Echo & The Bunnymen at House Of Blues, Cleveland. Photos by Wes Orshoski.

Wilco at ArtsQuest Center At SteelStacks, Bethlehem, Pa. Photos by Chris Sikich.